Hello
everybody Drew here, sorry for the delay in posting another Blog, but writing
has got in the way. More about that perhaps later. Today we are talking about
the actual characters as they appear in the book. Not all of them off course,
but in general. I hope you like the way that they represent the main
characters, and also those other characters that are part of the story line. I
do have a few favorites. I particularly like the racing mechanic working in the
E Type racing car in the story Harry and the Grand Prix races. But what are
your favorites?
When you have an image in your head, but you can’t draw yourself, it underlines
the importance of a good working relationship with the illustrator. I
personally believe that the right chemistry and understanding is essential, so
that you get what you are asking for. It underlines how important the
illustrators brief is, to produce the desired illustration. This process is not
always easy and can sometimes lead to disappointment, as perhaps you haven’t
conveyed sufficiently accurately what you wanted in the first place. As the
author you have to take responsibility, even though you can’t draw yourself if
you want something in particular being illustrated. What I learnt fairly
quickly is that the illustrator isn’t going to read your entire book to get the
drift of the story line. They are focused on the image and require an accurate
brief to work to. Having had real world experience of working on very large
projects, where we ultimately conveyed the design of a facility using two
dimensional drawings, I did understand that it was going to be teamwork that
would carry the project onto success. The same follows with the illustrations
for Harry Alliss. Good teamwork between the two of us was so very important.
Working with Dave we luckily gelled together and worked as one, to create the
images that you see in the book. I think they are fab, but then I’m a bit
biased, but I hope you do to.
The most difficult image that we needed to work on was the principal character,
Harry. What is he going to look like? That is where the skill of the
illustrator comes in interpreting what I described. I have to admit I was quite
nervous when Dave unveiled his first pass of Harry Alliss. As always, the image
in your head when it is turned into reality takes a bit of adjustment. We did
make a few tweaks to the image before we settled on the final rush. As always,
this To-ing and Fro-ing continued with all the images. There was always a
little tweak here and there that was required with most of the images. This is
where the time goes, making these fine adjustments. But as my old Boss used to
say, ‘Nothing worthwhile comes quickly Drew’. How true, how true.
That’s it from me for this blog. I hope it was of interest to you. Next time
I’ll talk about making a book stand out. Till then as always take care and stay
safe. Drew
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